Tuesday, April 28, 2015

Quilt Design Patch & Optimized Logo






 

Business objectives:
The goals of the advertising is to promote interest, one of the main goals was to create some way to associate the brand, the initiative, the creators of the goods, and the audience that participates (donations, receivers of the goods) all in under one image. Awareness was achieved by incorporating identifiers within the logo, like the camouflage to associate and incorporate the military aspect of the (soon to be) charity. The small more casual font used on the little warriors is intended to have people associate the branding with children, and spark interest. The logos standing alone is supposed to impart knowledge, we made addition features like a banner, a website, a business card, and a patch to promote knowledge and encourage interest and outreach. The imperative is donations, and support, mostly support, this project would continue on with or without donations, but the creators are giving people an opportunity to be included and a part of it all. This shapes a positive attitude and sense of care and concern for people other than ourselves, it makes us aware of our fellow mankind.
 
 
Patch Paraphernalia :
The patch would serve as the living branding, it would be attached to all the goods. The main objective used was continuity, we wanted to continue the effect of the quilts but also have it brandished and let people know who made it. The creators put patches on the quilts and so we decided that the children battling cancer should be recognized on the quilt as well, they took have earned recognition for facing a difficult journey. Continuity was important, as well as similarity, we grouped alike items in order to create an effect of a decorated effort, our military initiative and the people at home who face indescribable hardships. We fashioned the patch to have the insignia/logo, and also be small enough to fit on the squares.
 
Style Guide

The Colors used were brown, tan, blue, green, yellow, and gray.
Yellow was meant to tie in the Meet the warriors, or meet the children. Yellow is light and playful, and represents fun and youth, while that might not mimic the lifestyle of the warriors, it shows them in a different light and makes them more approachable, often time people shy away from people that are different. The light blue is meant to tie in the blue used in the camouflage uniform representing the Navy uniform. The darker blue is meant to tie in the variations of blue within the uniform as well. The green is to reference, the remaining uniforms, the Air Force, the Army, the Marines, etc.
The gray is intended to remain neutral and as a non loud color in order to not compete with the array of colors and help tie in the gray in the photograph in black and white. Overall, the colors are meant to instill military connections and associate them with children in order to create an understanding of our objective and most importantly, the message.

 

Tuesday, April 7, 2015

Sandlot

Sandlot  - Carnival Scene



Narrator 10:40



Director: David M. Evans (iMDb)
He describes himself as a "baseball fanatic" if you can not already guess from his photo.
He co-wrote Sandlot.
His niche is working with child actors.

Theme (interview)
Friendship


"Hollywood being what it is, you get pigeon-holed. It’s a blessing and a curse. For me more of a blessing, but every family oriented screenplay comes across my desk. I’m thankful."

"As a director, you have to be a number of things, a cajoler, a convincer, a big brother, a dad, a psychologist. all of those things."

"I am more an actor’s director than a technocrat. Emotion is the big deal with me. That’s what movies are, a single thing – emotion. If you get the emotions right and it strikes people honestly, you don’t lie to your audience. You employ all those things I just said to get the best performances out of your actors."

12:40 Freedom as a director. No one was barking orders at him or hanging things over his head.


"......but to me it’s not a baseball movie. It’s a movie about friendship."




Leslie Ann Anderson - hair stylist

Production Designer: Jeremy Alderman


Carnival Throw-Up Scene:
Production Designer: Chester Kaczenski (Kah-zin-ski)
1. Other works include The Final SeasonSoul of the GameTeen Wolf series (1985), Beethoven’s’ 3rd, 4th
2. Familiar with baseball themed film as well as family oriented films, similar to The Sandlot
Principles from the scene:
1. Set:
State Street, American Fork, Utah
2. Location:
Carnival, Fair
3. Props/Lighting
Lights from the carnival create the atmosphere for the scene
The spinning ride is used as the major prop, as well as the tobacco shown in the beginning of the scene
4. Camera angles:
Back and forth between characters and the a whole picture of the ride itself
Zooms in on characters to show their progression of sickness until they throw-up
Final angle shows Ham up close stepping off the ride with puke on his shirt, really sets the “cherry on top” of the entire scene

Director : David M Evans http://m.imdb.com/name/nm0262693/?ref_=m_ttfcd_dr1